MAÜ GCRIS Standart veritabanının içerik oluşturulması ve kurulumu Research Ecosystems (https://www.researchecosystems.com) tarafından devam etmektedir. Bu süreçte gördüğünüz verilerde eksikler olabilir.
 

A Structuralist Analysis of Women’s Position in George Eliot’s "Middlemarch"

Thumbnail Image

Date

2019

Journal Title

Journal ISSN

Volume Title

Publisher

IVPE

Open Access Color

OpenAIRE Downloads

OpenAIRE Views

Research Projects

Organizational Units

Organizational Unit
Department of English Language and Literature / İngiliz Dili ve Edebiyatı Bölümü
İngiliz Dili ve Edebiyatı lisans programı, öğrencilere ileri düzeyde dil becerisi, edebi kavramlar, edebiyat tarihi, edebiyat ve eleştiri kuramları, kültür alanına dair temel bilgi ve dil, dilbilim, edebiyat, eleştiri ve kültür incelemeleri alanlarında mesleki yetkinlik kazandırmayı hedeflemektedir. Öğrencilerin hayat boyu öğrenmenin öneminin farkında olmaları ve dil ve edebiyat alanlarında araştırmalar yaparak kendi öz gelişimlerinin bilincine varmaları hedeflenmektedir.

Journal Issue

Events

Abstract

Structuralism that began to be active in the 1950’s is the approach to define the relationship between the part and the whole. This study aims to analyse George Eliot’s "Middlemarch" (1872) in terms of the structuralist approach. This novel is analysed synchronically. In the surface structure of the novel, there is a plot based on the relationships between Dorothea Brooke, Edward Casaubon, Rosamond Vincy and Tertius Lydgate. In terms of syntagmatic relation, while Dorothea marries Casaubon, Rosamond marries Lydgate. Both Dorothea and Rosamond marry their spouses to actualize only their dream goals. In terms of paradigmatic relation, there is also homology of relationships between the two couples because there is an unhappy marriage between Dorothea and Casaubon as well as an unhappy marriage between Rosamond and Lydgate. In terms of syntagmatic relation, Dorothea’s husband dies; Rosamond’s husband dies; Dorothea makes a second marriage; Rosamond makes a second marriage. The novel ends but its melody continues because Dorothea and Rosamond are given no role other than being a wife and mother in the male-dominant society. Education, debt and unhappiness in the surface structure of the novel are closed signs. These signs become explicit signs in the deep structure of the novel in the following sense: While the signifier is education, the signified is enlightenment and self-knowledge; while the signifier is debt, the signified is failure and poverty; while the signifier is unhappiness, the signified is illusion and empathy. As for the deep structure of the novel, its harmony operates on binary opposition between Dorothea and Rosamond as follows: ignorance/knowledge, poverty/wealth, imaginary/reality, selfish/unselfish, love/money. The deep meaning obtained from the deep structure is as follows: There is no innate difference between men and women in terms of mental capacity, but there are prejudices imposed by the male-dominated society on women. This is because the patriarchal society does not allow women to have the same educational opportunities as men. Women who are not allowed an adequate education are left with no choice but to marry and have only the role of a wife and mother in society.

Description

Keywords

Structuralism, Feminism, George Eliot, “Middlemarch”.

Turkish CoHE Thesis Center URL

Fields of Science

Citation

WoS Q

Scopus Q

Source

Academic Studies in Philology-2019/2

Volume

Issue

Start Page

53

End Page

74
Page Views

9

checked on Jul 17, 2025

Downloads

135

checked on Jul 17, 2025

Google Scholar Logo
Google Scholar™

Sustainable Development Goals

3

GOOD HEALTH AND WELL-BEING
GOOD HEALTH AND WELL-BEING Logo

5

GENDER EQUALITY
GENDER EQUALITY Logo

10

REDUCED INEQUALITIES
REDUCED INEQUALITIES Logo